Re: Your comments were included in the publication of book s

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On 4/27/04, yustas wrote:
> On 9/23/03, yustas wrote:
>> Your comments were included in the publication of book
>> series dedicated to Gleitzeit art of Paul Jaisini.
>>
>> Thank you for contributing,
>> Yustas Kotz-Gottlieb,
>> New York
>> http://www.lulu.com/Paul-Jaisini
>> http://www.lulu.com/content/15856
>>
>> Title: Blue Reincarnation (Narcissus) by Jaisini
>> Author: yustas kotz-gottlieb
>> Category: Books > New Age & Alternative > New Thought
>> Copyright Year: © 2003
>> Description: You just have to read this book to believe
>> what people could come up with commenting on the artwork of
>> Paul Jaisini. You would be able to see how people
>> manipulate opinion, satisfy own egos, attempt to antagonize
>> not the subject at hand, not the description of the
>> painting, but the quality of the artist's work they never
>> had a chance to see. You could probably use a few good
>> laughs and I guarantee that you'll get more than just a few
>> from this book, unusual, never written before. First of its
>> kind. (140 pages)
>>
>> Title: Gleitzeit Art Jaisini
>> Author: yustas kotz-gottlieb
>> Category: Books > New Age & Alternative > New Thought
>> Copyright Year: © 2003
>> Description: The adventure of art is also illustrative of
>> endless capacities in self-promotion, new ideas in
>> communicative arts, experimental networking and virtues of
>> industriousness when most intangible art such as gleitzeit
>> art of Paul Jaisini becomes commodified by interest and
>> active involvement of the public. (437 pages)
>>
>> Title: Drunken Santa by Jaisini
>> Author: yustas kotz-gottlieb
>> Category: Books > New Age & Alternative > New Thought
>> Copyright Year: © 2003
>> Description: An amazing tale one after another with enigma
>> piled on secrets stacked on riddles provided in art works
>> of Paul Jaisini. (101 pages)
>>
>> Title: Marble Lady oil painting by Jaisini
>> Author: yustas kotz-gottlieb
>> Category: Books > New Age & Alternative > New Thought
>> Copyright Year: © 2003
>> Description: The first installment in Yustas Kotz-
>> Gottlieb's monograph, Art of Paul Jaisini book series. (238
>> pages)
>>
>>
>> Title: Jaisini Marble Lady-2
>> Author: yustas kotz-gottlieb
>> Category: Books > New Age & Alternative > New Thought
>> Copyright Year: © 2003
>> Description: Jaisini monograph heralds the arrival of a new
>> genre of narration revolutionary approach of multi-voiced
>> author who speaks thought the voices of people contributed
>> to the book in real time. (215 pages)
>>
>> Title: Jaisini Marble Lady-3
>>
>> Author: yustas kotz-gottlieb
>> Category: Books > New Age & Alternative > New Thought
>> Copyright Year: © 2003
>> Description: Art book series where Kotz-Gottlieb
>> demonstrates that art, sensuality, healing capacity of art
>> and communication, and hope to discover new dimension are
>> eternally intertwined and universal. (230 pages)
>
>
> Jaisini "Marble Lady"
>
> Marble Woman, The Notorious Marble Lady, My Marble Lady, Lady
> Known as Marble, the So-Called Marble Lady, etc.
>
> Art in the twentieth century has been awarded the highest
> esteem as something we should admire and respect and I found
> a lot of evidence of the truthfulness of such thought. I
> emailed my essay called "Marble Lady" on Paul Jaisini’s oil
> painting with the same title in frequency of 500-1000 emails
> a day with a limited impact in consideration to the vast
> amount of Internet subscribers.
>
> What I have found was an unprecedented response from the
> recipients, the readers who were intrigued and even entrapped
> by this sort of a psychological game, trying to decipher the
> meaning of the message, it’s content, how it relates to them
> personally, who is the messenger, why was it sent to them and
> why they were targeted to such atypical advertisement.
>
> I did not expect such amount of feedback, which kept me busy
> for months. It also was a degree of obligation to continue as
> the action had caught public’s interest. This art mission
> grew into a sort of conceptual art when I am describing an
> oil painting authored by Jaisini without providing any visual
> information.
>
> It seems to me that this was one of the reasons for creation
> of fancy about the given art work that was named by readers
> in many special ways as The Marble Lady, Marble Woman, The
> Notorious Marble Lady, My marble lady, lady Known as Marble,
> the so-called marble lady, Marble Statue and so forth.
>
> It is some sort of phenomenon of the essay hitting
> unexpectedly PC users, as some preserved, sacred message,
> which is not revealed but represented as an idea and
> mysterious message from ‘above.’
>
> I didn’t intend to engage in conceptual art activity, but it
> happened without my insinuation. People had started the
> dialogue that can only be called interaction. I was asked for
> explanation. A work of art normally behaves as if it’s a
> visual statement. This is a sculpture of Thinker by Rodin or
> this is a portrait of Mona Lisa. The viewer may ask, who was
> this Mona Lisa and why did she become so precious. But these
> questions follow on from an acceptance of the visual object.
>
> In my case, there was no visual object offered for review,
> but an essay as ipso facto. And the visualization was up to
> the reader. I offered the description as representation,
> which seems a tautology and the chain of description was
> further elaborated by each reader in his degree of potential
> and "Marble lady" was "Marble lady" was "marble lady" ed
> infinitum.
>
> The response could also be believed as nervous breakdown
> characteristic of contemporary people who have lost faith in
> any offered commodity, nor in art claimed to be, neither in
> social institution.
>
> The connection of image with effective action on viewers is
> disturbed. People seem to prefer a legend. The formalistic
> presentation can no longer explain life in our rapidly
> changing world. To the opposite of a true conceptual art
> which was a violent reaction against modernist notions of
> progress, this new action was populist and not against an art
> object status, but for creation of an aura of legend and good
> reception.
>
> This action thus is purely aesthetic without discrimination
> of the recipients. I have received responses ranging from
> teen-agers to retired journalists. The romantic, poetic
> message reached throughout the cyber space with little effort
> in professionalism of presentation, but with a strong power
> of personal correspondence.
>
> The reader can find in the essay the artistic representation
> with no political or apolitical aspiration. The conceptuality
> of this action is even more paradoxical as in respects of
> certain degree of privacy’s intrusion.
>
> With emailing an art essay I was trying to impose art on non-
> wanting receptors unlike the denial of Conceptual art and
> it’s opposition towards art tradition.
>
> The reception of the message "Marble Lady" turned to be the
> best. It may be the method of this everyday nature that
> prefigured good reception of the one who got the mail in the
> box. If he reads an art essay in a snobby art magazine
> written with the same artsy words, it would not reach him.
>
> Instead of usual commercial offers the Internet user receives
> the poetic message that he’d love to think has come from some
> one he knows personally, or a secret admirer. The expectation
> here is exaggerated and he thinks more of the essay than it
> is realistically. He sees it through the rosy glasses of
> sensual willingness. This may be the highest point of a
> fusing the life of the home, office, classroom with the
> hermetic life of the art studio, by the help of informative
> mediator.
>
> The essay sneaked onto the recipient without any commercial
> tyranny as personal letter. The reader chooses to open and
> read it.
>
> The reason of course is the title "Marble Lady." Naming the
> essay with the painting’s title "Marble Lady" I tried to put
> the painting at the service of the mind. Duchamp rejected no
> painting per se, but stupid painting. I found a chance for
> critical research in works of Paul Jaisini, which allow me to
> think in words and images. Jaisini’s paintings are smart
> enough to teach, to reconstruct the mind and start up a new
> art concept.
>
> The written essay cannot substitute the visual image and by
> no definition can be called an independent work of art, but
> its art’s aura. It didn’t intend to create a debate, but
> ultimately did, the aura is important in the pleasurable
> straight reception of visual art work by people.
>
> New York 2004
> Text Copyright: Yustas Kotz-Gottlieb
>
> Marble Lady by Jaisini
> Blue Reincarnation Narcussis by Jaisini
> 911 oil painting by Jaisini
> Freedom of Thought by Jaisini
> Hot Dog Party by Jaisini
> Drunken Santa by Jaisini
> Pinocchio by Jaisini
> Wet Dream by Jaisini

Your comments were included in the publication of book series
dedicated to Gleitzeit art of Paul Jaisini.
Thank you for contributing,
Yustas Kotz-Gottlieb,
New York

Author: yustas kotz-gottlieb
Category: Books > New Age & Alternative > New Thought
Copyright Year: © 2004
Description: You just have to read this book to believe what
people could come up with commenting on the artwork of Paul
Jaisini. You would be able to see how people manipulate
opinion, satisfy own egos, attempt to antagonize not the
subject at hand, not the description of the painting, but the
quality of the artist's work they never had a chance to see.
You could probably use a few good laughs and I guarantee that
you'll get more than just a few from this book, unusual, never
written before. First of its kind. (140 pages)

Title: Gleitzeit Art Jaisini
Author: yustas kotz-gottlieb
Category: Books > New Age & Alternative > New Thought
Copyright Year: © 2004
Description: The adventure of art is also illustrative of
endless capacities in self-promotion, new ideas in
communicative arts, experimental networking and virtues of
industriousness when most intangible art such as gleitzeit art
of Paul Jaisini becomes commodified by interest and active
involvement of the public. (437 pages)

Title: Drunken Santa by Jaisini
Author: yustas kotz-gottlieb
Category: Books > New Age & Alternative > New Thought
Copyright Year: © 2004
Description: An amazing tale one after another with enigma
piled on secrets stacked on riddles provided in art works of
Paul Jaisini. (101 pages)

Title: Marble Lady oil painting by Jaisini
Author: yustas kotz-gottlieb
Category: Books > New Age & Alternative > New Thought
Copyright Year: © 2004
Description: The first installment in Yustas Kotz-Gottlieb's
monograph, Art of Paul Jaisini book series. (238 pages)

Title: Jaisini Marble Lady-2
Author: yustas kotz-gottlieb
Category: Books > New Age & Alternative > New Thought
Copyright Year: © 2004
Description: Jaisini monograph heralds the arrival of a new
genre of narration revolutionary approach of multi-voiced
author who speaks thought the voices of people contributed to
the book in real time. (215 pages)

Title: Jaisini Marble Lady-3

Author: yustas kotz-gottlieb
Category: Books > New Age & Alternative > New Thought
Copyright Year: © 2004
Description: Art book series where Kotz-Gottlieb demonstrates
that art, sensuality, healing capacity of art and
communication, and hope to discover new dimension are eternally
intertwined and universal. (230 pages)